We are always searching, never arriving.
Photography acts as a source of evidence – of truth telling, or truth making. But if this is so, if photography authenticates, then can it show us the real even if that lies outside of our field of perception? My interest is not so much in the answer to this, as in the opening of possibility. In the search for the real, the truth, how do we portray it and how do we present experience in a visual way? This work was made around locations that are known to be energy vortices: Sedona, Mount Shasta, Joshua Tree and the Oregon Vortex.

UCI MFA Thesis Show
Twisted Tree: UCI MFA Thesis Show

UCI MFA Thesis Show
Pink Door: UCI MFA Thesis Show

UCI MFA Thesis Show
Shasta Meditators: UCI MFA Thesis Show

UCI MFA Thesis Show
The Center of the Vortex: UCI MFA Thesis Show

UCI MFA Thesis Show
Oregon Vortex: UCI MFA Thesis Show

UCI MFA Thesis Show
Giant Rock: UCI MFA Thesis Show

UCI MFA Thesis Show
Shasta Face: UCI MFA Thesis Show

UCI MFA Thesis Show
Informationless Pamphlet: UCI MFA Thesis Show


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UCI MFA Thesis Show
Light Box Energy Vortex: UCI MFA Thesis Show


detail 


detail 


detail 

UCI MFA Thesis Show
installation shot: UCI MFA Thesis Show

UCI MFA Thesis Show
installation shot: UCI MFA Thesis Show

UCI MFA Thesis Show
installation shot: UCI MFA Thesis Show

UCI MFA Thesis Show
installation shot: UCI MFA Thesis Show

UCI MFA Thesis Show
installation shot: UCI MFA Thesis Show

UCI MFA Thesis Show
installation shot: UCI MFA Thesis Show

Gallery 295, Vancouver, BC
installation shot: Gallery 295, Vancouver, BC

Gallery 295, Vancouver, BC
installation shot: Gallery 295, Vancouver, BC

Gallery 295, Vancouver, BC
7 Kirlian Polaroids: Gallery 295, Vancouver, BC

Gallery 295, Vancouver, BC
Shasta Flare: Gallery 295, Vancouver, BC

Gallery 295, Vancouver, BC
installation shot: Gallery 295, Vancouver, BC

Gallery 295, Vancouver, BC
installation shot: Gallery 295, Vancouver, BC

Gallery 295, Vancouver, BC
installation shot: Gallery 295, Vancouver, BC